Three ways in which this is not your mother and father’ Could Competition anymore –


The Enquirer
Printed 11:08 a.m. ET Could eight, 2019

Grammy-award successful vocal ensemble Roomful of Enamel (Photograph: Bonica Ayala)

When it begins on Could 15, the 2019 Could Competition will stand aside from the others which have preceded it going again to 1878. 

Listed below are three ways in which Cincinnati’s longest-running arts group is not your mother and father’ (a lot much less your grandparents’) Could Competition. 

Extra live shows. The live shows will run on seven nights over 10 days, as a substitute of 5 occasions over eight days. That makes the lineup extra like different music festivals. In actual fact, one Could Competition staple – the annual sojourn to carry out within the Gothic splendor of Covington’s Cathedral Basilica of the Assumption – already occurred in April. First-time collaborators. Three live shows that includes vocal teams that aren’t the Could Competition Refrain are a part of this yr’s choices. One of many new collaborators, the Grammy-winning vocal challenge Roomful of Enamel, will carry out a standalone live performance and with the complete refrain. Cincinnati’s Vocal Arts Ensemble will carry out a standalone live performance of “Contemplating Matthew Shepard.” A Could Competition Neighborhood Refrain, which has been rehearsing for the reason that winter, will proceed final yr’s addition of a free Sunday live performance at Music Corridor. As well as, Scottish composer James MacMillan will conduct his works at two live shows, together with the free occasion. Live shows not at Music Corridor or the Basilica. The competition has had performances up to now at Downtown’s Plum Avenue Temple. However this yr’s model has live shows each on the Woodward Theater in Over-the-Rhine in addition to on the Faculty-Conservatory of Music’s Corbett Theater.

Bringing in Roomful of Enamel as a artistic companion would possibly be probably the most dramatic of the adjustments.

The eight-member ensemble is concentrated on reimagining the expressive potential of the human voice. By finding out vocal traditions the world over, Roomful of Enamel expands its vocabulary of singing methods and, by commissioning works, forges a brand new repertoire with out borders or stylistic boundaries.

The ensemble’s Could 15 standalone live performance on the Woodward Theater is bought out. It will take part in different group engagement actions throughout the competition’s first week, in addition to singing with the complete refrain on Could 17 throughout the U.S. premiere of “The Immortal,” what’s been known as a choral seance primarily based on texts from late Victorian mediums.

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Principal conductor Juanjo Mena, now in his second season main the competition, will likely be on the rostrum for the Music Corridor live performance, titled “The Immortal,” which will embody Brahms’ “Schicksalslied “(Tune of Future) and Vaughan Williams’ “Towards the Unknown Area.”

The competition’s theme of “The Nice Past” continues on Could 18 with a live performance entitled “Silences Between.” The total refrain and the Cincinnati Symphony Orchestra will carry out Poulenc’s “Gloria” together with soprano soloist Lauren Michelle. MacMillan will conduct his work “Seven Final Phrases from the Cross.” 

Spanish conductor Juanjo Mena would be the first non-American inventive chief of the Could Competition in almost 50 years when he steps into the position of principal conductor. The 2019 season will likely be his second with the competition. (Photograph: Offered/Michal Novak)

MacMillan and Mena will share the rostrum on Could 19 for a free live performance with the group refrain and extra native artists. The refrain will carry out works by MacMillan in addition to Britten and Vaughan Williams.

“Our 2019 Could Competition’s theme delves additional and places earlier than us what would be the most elementary query of all: ‘Is there life after demise?’ ‘Is anyone there?’ ” mentioned Mena in a information launch. The live shows “will deal with existential questions” about future, immortality, the afterlife and dying.

Vocal Arts Ensemble singer Thom Mariner narrates, with composer Craig Hella Johnson on the piano, with a illustration of the fence that Matthew Sheperd died on throughout a VAE efficiency at Xavier College. (Photograph: Offered/AJ Waltz)

The primary live performance of the competition’s second week will give attention to the savage and hate-fueled demise of a homosexual man in Wyoming. 

Grammy-winner Craig Hella Johnson will lead Cincinnati’s Vocal Arts Ensemble on Could 23 in a efficiency of his personal acclaimed three-part fusion oratorio, “Contemplating Matthew Shepard” at CCM’s Corbett Theatre. Johnson says the piece supplies, inside a musical framework, “an area for reflection, consideration and unity round (Shepard’s) life and legacy.”

The final Music Corridor live shows of the competition will likely be “Video games of Thrones” on Could 24 and “Bach’s St. Matthew Ardour” on Could 25. 

The Could 24 occasion would be the first look by James Conlon, the competition’s music director laureate, since 2016. He’ll lead Mussorgsky’s Prologue and Farewell Scene from the opera “Boris Godunov,” Boito’s Prologue from “Mefistofele” and Mahler’s “Das Klagende Lied.” The refrain and CSO will likely be joined by soloists Morris Robinson, Sarah Vautour, Taylor Raven, Richard Trey Smagur and Donnie Ray Albert.

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Mena will likely be on the rostrum Could 25 for the competition finale. The Could Competition Youth Refrain will take part this system together with soloists Berit Norbakken Solset, Carlos Mena, Werner Güra, Ben Bliss, James Newby and Hanno Müller-Brachmann.

Particular person tickets for the Could Competition live shows on Could 17, 18, 24 and 25 vary from $15 to $99. Tickets to the Vocal Arts Ensemble live performance on Could 23 at CCM are $25 and $35. Season ticket packages of two to 4 Music Corridor performances are also on sale beginning at $54. The Could 19 live performance is free however tickets are required. Observe that bought Music Corridor tickets are topic to a three.5% facility charge. Tickets can be found at, by calling 513-381-3300 or on the Music Corridor field workplace, 1241 Elm St., Over-the-Rhine.

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